Related Paintings of unknow artist :. | Annunciation and Visitation | Sexy body, female nudes, classical nudes 32 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 145 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 124 | wienhovets kejserliga karet | Related Artists:
CAMASSEI, AndreaItalian painter, Roman school (b. 1602, Bevagna, d. 1649, Roma)
Andrea Camassei (1602-1649) was an Italian painter of the Baroque, who was mainly active in Rome under the patronage of the Barberini. He was born in Bevagna. He was active in painting in the Palazzo Barberini as well as in Antonio Barberini's favored church, Santa Maria della Concezione, where he painted the Assumption of the Virgin on the dome. His training was under Domenichino, but he also labored under the direction of Sacchi and Pietro da Cortona. He painted a Triumph of Constantine for the Baptistery of the Lateran Palace. He painted for the Taddeo Barberini, two large canvases (1638-39) depicting Massacre of the Niobids and Hunt of Diana. He also painted a Saints Bonaventura, Bernardino & Ludovico da Tolosa for Santa Caterina in Rapecchiano (Spello).
George Hardy(1822-1909) was an English genre painter, a member of the Cranbrook Colony and eldest brother to Frederick Daniel Hardy.
Hardy was born in Brighton in Sussex the first son (of 8 children) of George Hardy (b. 1796 in London), a musician to George IV, Queen Adelaide, and Queen Victoria in the Royal household at Windsor. His mother was Sarah Lloyd (b. 1804).
Hardy became an oil painter of light-hearted genre subjects and moved to the artists' colony in Cranbrook in Kent. He married Ellen Hutton in May 1862 and the couple had 3 children.
Hardy died in Eastbourne in 1909.
Simon de VosSimon de Vos (Antwerp, 20 October 1603-15 October 1676, Antwerp) was a Flemish Baroque painter of genre and cabinet pictures.
De Vos studied with Cornelis de Vos (1603-76), to whom he is not related, from 1615 until 1620. In 1620 he joined Antwerp's guild of St. Luke, and then he probably travelled to Rome where he came under the influence of the "low-life" genre paintings of the Bentvueghels and the bambocciate. A Caravaggesque influence, by way of the German painter Johann Liss active in Italy during the 1620s is discernible in De Vos's paintings from this time on. In contrast to the earlier "low-life" paintings, works from the late 1620s until around 1640, which were made after returning to Antwerp, are mostly small "merry company" and courtly genre scenes reminiscent of contemporary Dutch painters Dirck Hals and Pieter Codde. After 1640, De Vos turned away from genre scenes altogether and painted mostly small cabinet paintings of history subjects, influenced stylistically at first by Peter Paul Rubens and then increasingly by Anthony van Dyck. Examples include The Beheading of St. Paul (1648) in the Royal Museum of Fine Arts, Antwerp.
He married Catharina van Utrecht, the sister of Adriaen van Utrecht, in 1628.
